Theatre - Christmas Is Miles Away - Scene Three
  
Scene: 3 5 6 9 10 11 georgiataylor.co.uk

 
July 1989. CHRISTIE’s bedroom. Two figures: CHRISTIE and JULIE are lying next to each other: Motionless. Silence for a few seconds before CHRISTIE starts to shift about.
CHRISTIE: Sorry.
JULIE. What for?
CHRISTIE. Movin’ … fidgitin’ about.
JULIE. Don’t be. You’re dead still. I’ve slept with some right fidgeters.
Pause.
Girls. Mates an’ that … me sister.
CHRISTIE. What?
JULIE. When I said that then … about sleeping with people who … fidgeters an that’ … I meant, like me sister and me mates. Girls. Sleeping with girls, mates an’ that … I didn’t mean … men …boys or anything … I haven’t –
CHRISTIE. Oh right. I didn’t even think nothin’.
JULE. I know … I just thought, God … sounds a bit …
CHRISTIE. Nah.
Silence.
It’s not even a single bed this, yer know.
JULIE. Eh?
CHRISTIE. It’s littler.
JULIE. It’s littler than a single bed?
CHRISTIE. Yeah. Not shorter … just narrower. It’s two foot six.
JULIE. Have you had it since you were dead small?
CHRISTIE. Yeah. ‘Bout six or somethin’.
JULIE. Aaah. It’s got a Banana Splits sticker on this side.
CHRISTIE. Has it?
JULIE. I used to love the Banana Splits.
CHRISTIE. Yeah. They’re alright … can’t remember really. Just remember the song they did.
JULIE. Oh yeah … what did it go like?
CHRISTIE. I can’t remember the words –
JULIE. The bit in the middle though, what was that? It didn’t have words, it was where they –
CHRISTIE. The ‘nah nah’ bit?
JULIE. Yeah, that’s it. What did that go like?
Pause.
CHRISTIE. ‘Nah nah nah, nah na na nah, nah nah nah na na na na nah.
Silence.
JULIE. That was it, yeah.
Silence.
CHRISTIE. Are you alright?
JULIE. Fine.
A barely audible noise from CHRISTIE.
Pardon?
CHRISTIE. Nothing.
JULIE. Did you wanna say –
CHRISTIE. No. It wa’ just a cough.
At this point Christie asks Julie if he can move to her end of the bed and she says yes. He moves his arm round her ever so slowly.
Is that –
JULIE. Fine.
Pause.
CHRISTIE. I got into college. Art and English.
JULIE. How come yer didn’t say before?
CHRISTIE. I dunno… I forgot, I think.
JULIE. How d’yer forget that, Christie?
CHRISTIE. I wasn’t… I just knew I would.
JULIE. Big-‘ead.
CHRISTIE. No … I’m not being – I just knew I would.
JULIE. Cos yer brilliant.
CHRISTIE. No I’m not. I’m gonna do just them two, then do Art Foundation.
JULIE. Literature or language?
CHRISTIE. Language. Write some of me own things.
JULIE. Will yer write something for me?
CHRISTIE. What like?
JULIE. Anything. Stories, letters … poems.
CHRISTIE. Yeah. If yer want me to … If yer won’t laugh.
JULIE. Course I won’t.
CHRISTIE. Might write yer a song.
JULIE. Will yer sing it to me?

CHRISTIE. Might, yeah.

JULIE. Didn’t know you could write songs.
CHRISTIE. Me dad were in a band.
JULIE. Was he?
CHRISTIE. In the sixties.
JULIE. What were they called?
CHRISTIE. Rockin’ Robin and the Redbreasts.
JULIE. Was yer dad Robin?
CHRISTIE. No, there wasn’t a Robin. They were rubbish anyway. Me dad was dead good but they were shite.
Pause.
JULIE. I like it … here. I like being here.
CHRISTIE. I like yer being here.
JULIE. S’like hidin’ away. I could do it for days, make a little nest.
A loud series of bangs as stones are thrown at the window. CHRISTIE jumps up and dashes over to the window, opening it and shouting out into the street.
CHRISTIE. What are you doing, dickhead?
LUKE (offstage). Yer mum still at yer auntie’s?
CHRISTIE. Yeah but the fuckin’ neighbours aren’t.
LUKE. Let’s in.
CHRISTIE. What for?
LUKE. Just let’s in
CHRISTIE. What’s up?
LUKE. Come down.
CHRISTIE. What you doin’?
LUKE. Fuckin’ … open the door.
CHRISTIE. Hold on.
Stumbling, CHRISTIE pulls on tracksuit bottoms and heads out of the room.
JULIE. What’s going on?
CHRISTIE. Nothin’ … sorry, it’s just Luke –
JULIE. He’s not comin’ in, is he?
CHRISTIE. Just downstairs … just seeing what he wants. He won’t come up.
JULIE. Don’t let him come up.
CHRISTIE. I won’t.
JULIE. I don’t want him coming up. Seeing me.
CHRISTIE. He won’t. I’ll tell him.
JULIE. What if he wants the loo?
CHRISTIE. He’ll go to the bathroom.
LUKE. (offstage, shouting). Chris … come on, man.
CHRISTIE. Bollocks, he’ll wake the street. (Out of the window.) You’ll wake the fuckin’ street. He won’t come up.
JULIE. Don’t let him.
CHRISTIE. I won’t.
JULIE. Don’t. Please.
CHRISTIE exits and runs downstairs. The door can be heard opening. JULIE checks her breath by licking her hand and smelling. As footsteps are heard thudding up the stairs, JULIE dives under the covers, trying to hide herself as much as possible. LUKE enters first, drink, and thows himself onto the bed, breathless, JULIE screams.
LUKE. Fuckin’ ‘ell.
CHRISTIE enters. LUKE stands, revealing JULIE wearing a T-shirt pulled over her knees, curled up in a ball.
CHRISTIE. What are you doing?
LUKE. Alright, love. (To CHRISTIE.) Nice one, mate.
CHRISTIE. Shurrup, Luke.
LUKE. Dark horse.
CHRISTIE. What yer doin’?
LUKE. Sayin’ ‘ello. Thought she didn’t fancy yer?
CHRISTIE. Come downstairs?
LUKE. Sorry, Janet. I come to see Christie a minute … sorry to interrupt. If I’d known … yer never said. He never said. He tells me everything. Usually.
JULIE. It’s Julie.
LUKE.  Sorry, Julie.
CHRISTIE. Luke.
LUKE. I’ll get off in a minute.
CHRISTIE. Yeah, yer will. (To JULIE.) He’ll get off in a minute.
LUKE. (pulls two cans from each of his pockets). Want one?
CHRISTIE. No.
LUKE. Julie?
JULIE. No. Thanks.
CHRISTIE. Will you fuck off, Luke. Yer can’t just barge –
LUKE. I didn’t know there was anything to barge in on, did I? Sorry Julie.
JULIE. I feel a bit … sick.
CHRISTIE. Do you want some water?
JULIE. No, I might just –
LUKE. How’s Shelley?
JULIE. She’s alright.
LUKE. Nice one. Reckon she’d come on a double date. Four of us. Be a laugh that.
JULIE. I don’t know. I want … I need to go to the bathroom. Could yer just … could yer … shut yer eyes. Please.
CHRISTIE. Luke.
LUKE. Go on. I’m not lookin’.
JULIE scrambles across the bed and out of the door, tugging to pull the T-shirt as far down as possible. She slams the door.
Crackin’ pair of legs, mate. Fuckin’ ‘ell I can’t believe -

JULIE has appeared in the bedroom doorway, wearing a flowery dressing gown.
JULIE. I borrowed this from the back of yer mum’s door.
CHRISTIE. S’OK.
LUKE. S’nice, that.
LUKE gets a look from CHRISTIE.
What?
JULIE. I might go home now.
CHRISTIE. No, don’t … he’s going downstairs.
JULIE. I know but –
LUKE. I’m goin’ downstairs now, Janet, honest … just finishing this.
CHRISTIE. Get back into bed.
JULIE. I’ll sit on the floor for now.
CHRISTIE. No, don’t. Here y’are. I’ll sit on the floor ‘til he’s finished that. You get in.
JULIE. No, I’m –
CHRISTIE. No go on, please.
He stands up and after a couple of seconds’ hesitation, JULIE clambers into the bed still wearing the dressing gown. CHRISTIE sits on the floor with LUKE.
LUKE. (passing the other can to CHRISTIE). Go ‘ead, yer might as well, I’ll take it down wi’ me if yer don’t want it all.
CHRISTIE. Julie, d’yer –
JULIE. No thanks.
CHRISTIE. Just a swig then down, yeah? You nearly finished that?
LUKE. Easy mate, twenty-five per cent extra free. I’m not a fuckin’ fish. Yer can drown drinkin’ quick, yer know.
CHRISTIE. No yer can’t.
LUKE. Yer can … or in a puddle. Something fucking stupid anyway. Like yer’d have to be a right fuckin’ feeble ‘ead … like Barry Morgan or someone. Proper wet lettuce.
JULIE. He’s my cousin.
LUKE. Is he? Fuckin’ ‘ell. (Beat.) Sound. What’s he up to?
JULIE. He’s going to catering college.
LUKE tries not to laugh but fails.
What’s wrong with that?
LUKE. Nothin’.
CHRISTIE. Just ignore him.
LUKE. Sorry. I’m just in one of those moods. Y’know, when everythin’s funny?
CHRISTIE. No.
LUKE. Me and Christie had one, Julie, the other month when we were at the Clough. Where we go. It’s our place like. Where we just go like. A little patch of us.
JULIE. I know I’ve been.
LUKE. Where?
JULIE. Boggart’s Clough. Christie’s took me.
LUKE. Did yer?
CHRISTIE. Yeah. Just showin’ where it is.
JULIE. It’s nice, I like it. I caught a fish but put it back.
LUKE. When?
CHRISTIE. Other day. Just went … just showin’ where it is.
Silence.
JULIE. What happened?
LUKE. How d’yer mean?
JULIE. What happened at the Clough that was funny?
Pause.
LUKE. Doesn’t sound funny probably, when you tell it.
JULIE. Go on. I bet it is.
LUKE. We had mushrooms from the field and this group of people rode past on bikes an’ … they just looked dead funny like. (Pause.) We just got on to like if yer didn’t know what a bike was … how funny it’d be if yer saw one for the first time.
Silence.
That was it. Told yer it doesn’t sound funny. (Beat.) I’ve finished that now. ‘Ave yer got a blanket for the couch?
CHRISTIE. There’s some in me mum’s chest of drawers. D’yer wanna finish that wi’ me?
LUKE Nah, I’m knackered.
LUKE stands.
Night then. Sorry Julie … ‘bout bargin’ in an’ that.
JULIE. It’s OK.
CHRISTIE. Night. Don’t worry about Dennis an’ that.
LUKE. Yeah … like I would.
LUKE leaves and shuts the door.
JULIE. Christie … Are yer getting’ back in?


 Georgia's first scene in Christmas Is Miles Away.

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